Dave Richards AA7EE

May 11, 2013

The NA5N Desert Ratt 2 Regen

EDIT If you’re thinking of building the Desert Ratt 2, although the pictures in this post are numerous and quite large, I do recommend reading all the text too, as I have included what I thought were relevant details on the construction as part of my narrative. Also make sure to read the comments and replies.  Previous blog-posts have taught me that readers often ask pertinent questions, so you may be able to glean a little more information from them too.  In fact, just before I wrote this, Paul NA5N made a comment which includes a usefiul piece of information about the 2 x 1,000pF (0.001uF) capacitors in the regen stage.

I’ve been wanting to build NA5N’s Desert Ratt regen ever since I first found his very attractively drawn schematic for it online. I then found the updated version, called the Desert Ratt 2, and a very good description of how the circuit works – all of these documents available on Paul’s website. What more could an avid regen builder want? Not much, it turned out. Late last year, when N2CX and N2APB dedicated an episode of Chat With The Designers to the Desert Ratt (and to the subject of regens in general), I just had to listen and of course, it fueled my interest in building the DR2 even more. The whiteboard for this particular episode of CWTD is here, and the podcast audio is here.

The WBR was a successful regen for me and while it worked well on SSB/CW, it didn’t seem to quite have the gain with AM stations. This makes sense, as a regenerative detector has to be set below the point of oscillation for AM reception, at which point it has less gain than when it is oscillating (which is where you set it for SSB/CW reception.)  Even so, I had read that bipolar transistors tend to work better as regen stages for AM, as they have higher gain when not oscillating. The search was on for such a receiver, and this was one of the key deciding factors in building the DR2 for me. In fact, Paul has mentioned (I forget where I saw it, as I have done so much reading on this receiver) that the Desert Ratt doesn’t do so well with SSB/CW as it does with AM. My experience with it backs up this assertion, thought it’s a pretty neat receiver for AM.

In particular, I wanted a receiver for covering the 49M SW BC band as although my Elecraft K2 covers a few of the BC bands, 49M is not one of them. There were a few things I found interesting about the design. The use of a phase splitter transistor to convert the single-ended output of the detector to a balanced output in order to drive the LM386 in differential mode was novel. Paul talks about how much RF is flying around inside regen receivers, and how the common-mode rejection of the 386 when used in differential mode can be advantageous in such an environment. I was also intrigued by the detector consisting of 2 germanium diodes – I think I was just looking for an excuse to build something with Germanium diodes again to remind me of my crystal-set building days as a kid :-)

If you look at the schematic of the DR2,  you’ll see that one of the changes in the design from the original DR is that instead of a variable capacitor, it uses 1N4004 diodes as varicaps. I have a bit of a “thing” for nice air-spaced variable capacitors, and I had in mind a nice Millen 50pF capacitor that I picked up on eBay for a very fair price last year. Combined with a 6:1 reduction drive, it made a good combination with a very useable tuning rate for tuning in AM stations.

Anyway, I’m getting ahead of myself here. I did make a few changes to the original schematic for my version, so allow me to introduce my rather wobbly circuit diagram -

The differences between my schematic and Paul’s are as follows -

- I added an RF attenuation pot at the antenna input. After building the DR2, I found that using a relatively short piece of wire indoors as an antenna was causing a lot of common-mode hum.  On top of that, I wanted to be able to increase the signal level into the receiver with the use of my regular outside antenna (A 40M dipole fed with 300 ohm balanced feeder.)  Using the attenuation pot allowed me to use the large outdoor antenna without overloading the receiver.  It also created enough separation between the receiver and antenna that the hum problem almost entirely disappeared.

- Earlier versions of the Desert Ratt included instructions for winding the coil on a plastic 35mm film canister and on an IC shipping tube. The DR2 schematic doesn’t include such instructions, but I wanted to use a toroid, so I experimented a bit and came up with a scheme that seems to work OK.  I used a T68-6 former and the turns info is on my schematic above – a T50-7 would take up a little less space. More about this later.

- I had a few 2-position center-off switches that I wanted to use, so I used one of these for a bandswitch instead of the SPST switch in NA5N’s DR2 schematic. I had originally thought that using the 50pF tuning capacitor with no padding would make the upper limit of frequency coverage too high, resulting in too large a frequency swing in one band, but there must have been more stray circuit capacitance than I had anticipated, as the coverage with no extra padding was about 7.3 – 13MHz. This band became the center position.

- I was attempting to power the DR2 from my shack power supply, which is about 45AH of sealed lead acid batteries with a float charger constantly connected.  This also powers my K2, and the DR2 was picking up processor noise from the K2, as well as a low-frequency “burbly” kind of noise of undetermined origin. The problem went away when I powered the receiver from a separate SLA. but I decided to add extra filtering to the power line anyway.  I found that a 1mH choke as well as a 1,000uF electrolytic almost (but not quite) got rid of the unwanted interference on the power line.  For good measure, I added a 0.01uF RF decoupling capacitor across the power line at the input connection.

- I added an AF preamp stage directly after the diode detector to ensure enough power to easily drive a speaker - even with weak signals.

- The inputs to the LM386 are the opposite way around from the way indicated in NA5N’s DR2 schematic.  With the inputs connected as shown in Paul’s diagram, the LM386 emitted a loud screeching sound.  Swapping the inputs cured this. I was not the only person who had this problem, as I discovered from this post in the GQRP Yahoo Group (you need to be a member of the group to read the post).

-  I left pin 7 unconnected. I don’t understand the way that NA5N has it connected to the junction of the series resistor and capacitor connected between pin 5 and ground in his diagram.  Most circuits that use pin 7 call for a decoupling capacitor direct from pin 7 to ground (usually about 10uF).  This helps reduce large signal distortion, though Paul does say that in this application, it may not do a great deal to help and is therefore optional.  I elected to leave it unconnected.

Now for some pictures.  I didn’t want to spend a lot of time constructing an enclosure, so decided to make a simple PCB L-shaped chassis and build the circuit directly onto that.  With the variable capacitor mounting bracket, it still ended up taking quite a while to construct though. All my projects begin like this, with the main components and control being laid out on the front panel, while deciding on the basic layout -

I’ll spare you the words at this point and apologize for all the pictures that are about to come. If you’re living in a remote area and are still relying on dial-up, then I feel a bit sheepish about the sheer number of images to follow!  I’ve talked before about constructing enclosures from PCB material, so won’t repeat that information here. As well as constructing the chassis from PCB material, I also made a mounting bracket for the variable capacitor and a tuning pointer to attach to the reduction drive with 2 small screws – all from double-sided copper-clad laminate.

I applied several thin coats of lacquer from an aerosol spray.  It was sprayed from a distance, resulting in a light, and stippled coating, which you can see in these pictures. I’d rather apply too light a coat than risk overdoing it. The downside of this is that oxidation will being to affect the appearance of the copper fairly soon. Oh well. The capacitor mounting bracket received a thicker coat. You can see the smoother, shinier finish.

I got the 6:1 reduction drive from Midnight Science. A number of others sell them, and one place that springs to mind is Mainline Electronics in the UK. They are the suppliers for Jackson Bros components (I think they have the rights to manufacture and sell the parts).  They sell on eBay using the name anonalouise.

The enclosure looked a little bit different by the time the DR2 was finished, as the hole for the nylon toroid mounting hardware hadn’t been drilled in the base at this point.

Look at that gorgeous variable capacitor!

A close-up view of the Millen 21050 50pF air-spaced variable capacitor and mounting bracket. This component is silver-plated (the vanes are probably brass), and has double bearings and a ceramic base. It is a very nice variable capacitor, and had never been soldered to before being used in this project. It is at least 35 years old – most likely older!

Boy, was I glad to finish the chassis so that I could start work on wiring it all up.  I decided to build the AF amp first and work backwards, my thinking being that the AF amp would be relatively straightforward. The act of touching the input with a metal screwdriver and hearing a hearty buzz in the loudspeaker would give a welcome psychological boost! If I started by building from the antenna end, I’d have to wait until the entire receiver was built before getting any clue as to whether it was working.

Here’s the chassis with the LM386 amp, the 2N3904 phase splitter, and the 2N3904 preamp built. As has been the case with all my projects since I started using then, I used W1REX’s wonderful MePADs and MeSQUAREs to build the circuit -

Here’s a close-up. The 2N3904 preamp is just below the 6:1 reduction drive, and the 2N3904 phase splitter is to the left of the LM386.  The 100uF capacitor that decouples the supply line to the LM386 straddles it. I read that it is best to ground it to pin 4 instead of to some other point on the chassis to avoid instability, hence the reason for this placement. The other electrolytic that is straddling the chip is the 10uF capacitor between pins 1 and 8 that sets it to the maximum gain of 46dB. The black shielded cable connecting the AF gain pot to the circuit on the PCB is lavalier mic cable.  It has 2 conductors, each of them in it’s own shield, which is ideal for wiring up potentiometers. It is fairly thin and very flexible. I use it in all my home-brew projects. I bought it from a local pro-audio store which recently closed down, so will now need to find another supplier.

In this view, you can clearly see the extra DC supply line filtering that I added, consisting of a 1mH choke in series with, and a 1,000uF electrolytic across, the DC supply. After seeing these pictures, I noticed that there wasn’t very much solder on the joint connecting the choke to the power jack, so I re-flowed the joint and melted a bit more solder onto it.

The power indicator LED’s main function is as a voltage regulator. NA5N marked the various voltages on his schematic for the DR2, and I chose an LED with a forward voltage drop to match those voltages as close as I could.  A green LED in a variety pack I got from Radio Shack had a forward voltage drop of 2.1V, which seemed about right.  The 1N4148 had a forward drop of about 0.65V.

The next stages to be built were the detector and impedance converter/buffer stages.  The description of the DR2 on NA5N’s site gives more info on these stages (as it does for the whole receiver). I couldn’t be sure these stages were working, but bringing my finger close to the diodes resulted in a pleasing cacophony of stations in the headphones – and at a louder level than in doing the same to subsequent stages, so I figured there was some detection/amplification going on :-)

I didn’t know how many turns I was going to use on the toroid, but using the calculator on W8DIZ’ site and an online resonant frequency calculator, I figured that 36 turns on a T68-6 should be a good starting point for the whole winding from pin 3 to pin 6. In Paul’s version, with the coils wound “traditional style”, the tickler winding was about 1/3 of the whole winding.  Coupling between windings is tighter with a toroid than a “regular” coil, so I reduced the number of turns on the tickler. I found that regeneration was occuring at only about 25% rotation of the regen pot, so further reduced the number of turns. Using the turns shown on my schematic at the beginning of this post,  the regen stage moved into oscillation at anywhere between 40 and 50% rotation on the pot, so I left it at that. For the same reason of tight coupling, I used fewer turns on the antenna winding too and because I am using an outdoor antenna, could probably have used even fewer turns.

The toroid was fixed to the PCB with nylon nuts, bolts and washers that I got from my local Ace hardware store.

Here are some pictures of my Desert Ratt 2 with the circuit finished -

The red wires running along the back of the front panel are the regulated 2.1V and 2.75V lines.  I would have run them on the main board but ran out of room due to lack of planning, so went vertical.  Incidentally, although I refer to the 2 regulated lines as 2.1V and 2.75V,  the exact voltages aren’t important.  That’s just what they turned out to be in my case.

The RF amp and regen stages can benefit from transistors with high hfe. I got a cheap Harbor Freight DMM that measures hfe from an eBay vendor for under $6 including shipping.  hfe varies depending on the collector current, but I was doing this mainly for comparative purposes rather than absolute values, so the fact that I didn’t know what value of collector current was used to measure hfe in this cheap meter didn’t matter. It just so happened that my 2N2222A’s tended to have higher hfe than my 2N3904′s, so I ended up using a 2N2222A that measured in at hfe = 203 for the RF amp, and a 2N2222A with hfe = 223 for the regen stage.  The other stages don’t require high-gain transistors. NA5N talks about it in this post on QRP-L from 1999. Bear in mind that he was talking about the original version of the Desert Ratt in this post (just so you don’t get confused when he identifies the various transistors).

I did promise that I’d give a bit more detail on the toroid. Mine was wound on a T68-6 former. The main winding was 30 turns tapped at 27 turns from the top (3 turns from the bottom). The antenna coupling winding was 5 turns.  All turns are wound in the same direction. I used 26 gauge wire, but the precise gauge isn’t important. 26 gauge was narrow enough to easily fit all the turns on the former, yet stout enough to lend some stability to the oscillator, as the toroid isn’t sitting close to the board, and the leads are relatively long. When putting taps on coils, I used to not cut the wire i.e. I would simply make a loop in the wire, twist it, tin the twisted part and keep on winding.  Now I find it is easier to treat them as 2 separate windings connected together. If you can get heat-strippable wire, please do – it makes winding toroids so much easier and more pleasurable.  I wound the first winding of 27 turns, stripped and tinned the end, then stripped and tinned the end of another piece of wire, twisted and soldered them together, and carried on winding the last 3 turns in the same direction (this is important).  The separate antenna winding of 5 turns is also wound in the same direction.  I’m afraid I didn’t write down (or if I did, I have since lost it) the lengths of wire used. I did notice that the turns calculator on W8DIZ’ site (linked earlier in this post) was quoting lengths that are too short for the T68-6 former.  All you have to do is wind one turn around your former, measure that length, multiply it by the number of turns you’re going to wind, add an extra inch or two for the leads and, as we say in England, Bob’s yer Uncle and Fanny’s yer Aunt (meaning – you’re home free!)  When winding toroids, I often find that the first 1 or 2 turns aren’t quite as tight as the rest so when I’ve finished winding, I will unwind one turn from the beginning of the coil, then wind an extra one at the end, to keep the total number of turns the same.  Sometimes I will repeat that exercise a few more times until all the turns are nice and tight.  For this reason, I use enough wire to leave several extra inches at each end.

The next picture shows an anti-hiss filter that wasn’t in the earlier pictures, which I tried and ended up removing due to a low-frequency oscillation it was causing at the higher volume settings.   It was a series 0.01uF capacitor and 4.7K resistor connected from pin 1 of the LM386 to pin 5.   From what I have read, too low a value of resistor or too high a value of capacitor can cause the oscillation. I have seen other anti-hiss filters that used a 0.01uF cap and a 10K resistor, so it is very possible those values would have cured my problem. However, I was near the end of the project and itching to move on, so I just removed it. You can also see the 0.1uF capacitors on the inputs of the IC that have been swapped over to stop the uncontrolled oscillation, and are now crossing each other.  You may not have to cross these caps if you plan your layout accordingly -

Other than the problem with the loud screeching that was solved by swapping over the inputs to the LM386 (my schematic reflects the way the inputs were finally connected), the only other problem I had was with what appeared to be a defect in the 0.001uF (1,000pF) capacitor that leads from the tap on the coil to the emitter of the regen transistor.  I wasn’t getting any regeneration at all but on replacing this capacitor, the circuit broke into a nice loud hiss when advancing the regen pot.

I do have one ongoing issue that I hope someone can shine a light on for me, and that is a loud crackling sound when adjusting the tuning capacitor. At first, I thought a dirty rotor connection was the problem, but it only happens when extra padding capacitance is switched in by the band-switch   With no extra capacitance switched in, the tuning is smooth, but on the lower frequency bands, the receiver crackles when being tuned.  I need to try bypassing the band-switch and soldering the padding capacitors into circuit in case the switch is the problem. I’ll report back when I’ve done further work on this.

Incidentally, the main tuning range on mine covers approximately 7250 – 13000KHz.  Switching in a 47pF capacitor changes the range to 5825 – 8050KHz. I’m a bit limited with my receiver and test equipment here, so haven’t yet been able to determine the coverage of the lowest frequency band.

When first listening to the DR2, I had no idea what frequency I was listening to – only that I was probably somewhere between 5 and 12 MHz. I had no antenna connected (and at this point, hadn’t even built the RF amp stage) but started hearing CW. Lo and behold, it was Hank W6SX 180 miles away from me in Mammoth Lakes, CA. His CW signal was coming through well and in fact, this was the only time I have received CW in a satisfactory fashion on the Desert Ratt. There was no antenna – he was being picked up directly by the toroid.  Any concerns I might have had about the sensitivity of this receiver would have been immediately allayed.

I know the main question that is probably on your mind is – how does it sound, and what is it like to use? How does it “handle”? There are some videos of my Desert Ratt 2 in action at the end of this post. Apologies for the poor video quality, but my only video camera is 10 years old (and has a faulty CCD sensor). You’ve probably read articles about regens that describe the many and subtle adjustments that need to be made when tuning a regen in order to coax maximum performance from it. If you haven’t operated a regen before or if it’s been a while, it does take some time to get the hang of getting the best out of it. As you get further away from the setting of the regen pot where it breaks out into oscillation you lose selectivity and gain, so you need to try and keep the control set just under the point of oscillation. Loud stations can overload the detector, resulting in audio distortion, so it’s worth keeping an eye on the RF attenuation pot too. Also, if the attenuation pot is set too high (too little attenuation), you may get breakthrough from stations on other frequencies. There’s quite a bit going on to keep under control, but if you manage to keep all controls adjusted well, you can coax some pretty decent performance out of the set. I think this is why regens appeal to some people – we are incurable knob-twiddlers!

Stability is easily good enough for AM reception and with a logging scale fitted to the front panel, I don’t think it would be hard to find specific frequencies, as the majority of SW BC stations stick to 5KHz channels. In my casual listening so far, I have heard The Voice Of (North) Korea on 9435 and 11710KHz, Radio Habana, Cuba on the 49M band, Radio Australia on the 31M band, coastal station KLB (South Korea) on 8636KHz, the BBC World Service (forget which band or frequency), China Radio International on 9790KHz, WTWW on 5830KHz, and a number of other evangelical Christian stations (sorry, I tune them out and don’t pay them much attention.)

To sum up, you can definitely have a lot of fun and engagement with the bands on this set.  Being a regen, it is not the easiest receiver to operate, but you shouldn’t let that put you off. The best analogy I can think of is to reference the way that although an older British sports car may not have the finesse and performance of a newer sports model, it’s a lot of fun, and it’s lack of suspension gives you an exhilarating feel for the road that the more expensive cars cannot.

The Desert Ratt 2. A logging scale fixed to the front panel would make frequencies in the SWBC bands easy to find. I must do this sometime :-)

Please note that in the following videos, an MFJ-281 ClearTone speaker was used. My understanding is that this speaker has a slight resonant peak at around 700Hz (helpful for CW) and a relatively restricted overall bandwidth that is good for communications applications. This probably means that it’s not optimum for getting the maximum fidelity from an AM SW broadcaster (not that those stations have a lot of fidelity, but they tend to have a bit more than your average SSB transmission). On top of that, the audio was captured with the built-in mic in my old Canon A80 compact. Please don’t judge the quality of the Desert Ratt 2 audio from these clips. It’s better than this! I’m working on a few audio only recordings that will better demonstrate what the DR2 sounds like, and will put them up in the next blog-post (hopefully within a week or so).

July 29, 2012

Half Of The ZL2BMI DSB Transceiver – A Simple 80M Direct Conversion Receiver :-)

A few weeks ago, Jason NT7S mentioned the ZL2BMI DSB transceiver as a rig I might be interested in building. He was right – I had seen it in SPRAT but for some reason hadn’t seriously considered making it into a project. The mention from him somehow got me to take another look at it and, well, it was such a simple design, it didn’t seem as if I had anything to lose by giving it the old college try.

The great thing about building a transceiver is that if the transmitter part doesn’t work, you’ve still got a receiver. That’s what happened to me (or at least, until I figure out my problems with the transmitter.) Everything was working fine up to and including the building of the driver stage. Once I added the BD139-16 final, I started experiencing problems with a constant residual carrier being transmitted when no modulation was present.

However…….once I had finished the first part of the build, which consisted of building the receiver, I took a little time to enjoy listening to the receiver and generally being surprised that such a small collection of parts would allow me to listen to the ragchewing on 75M. Little things like touching a wire to the antenna terminal and hearing atmospheric noise coming out of the speaker always give me a kick.

Here’s the schematic for my (only ever so slightly different) version of the receiver part of the ZL2BMI DSB transceiver:

There are no RF or AF gain controls in this schematic.  The circuit is still on a board, not yet in an enclosure, and in the experimental stage. If I ever get it into a box, I’ll add an RF attenuator pot in the antenna input circuit. This is even easier to build than a receiver with a VFO, as there are fewer toroids to wind. In fact, there is only only one – the single antenna input inductor.  Coverage was about 3911 – 4009KHz, so I didn’t bother winding a rubbering inductor, figuring that 100KHz of coverage was already pretty good for such a circuit.

The frequency drift wasn’t very encouraging. I was expecting a little better from a ceramic resonator VXO, being around 200 – 300Hz/hour upward drift after an initial 15 minute warm-up period.  The free-running VFO in my 40M NE602 CW DC RX had a better stability – on 7MHz! This board wasn’t in an enclosure though, whereas the 40M receiver was.  I wonder if that could have made the difference?

However, the receiver sounded pretty good, and there wasn’t much to it:

Here’s another view:

Looking at the schematic, you’ll see that as well as the 0.1uF coupling capacitor from pin 5 of the NE602 to pin 3 of the LM386, there are 2 x 0.1uF decoupling capacitors – one from pin 5 of the NE602 to ground, and the other from pin 3 of the LM386 to ground. I saw a wonderful looking version of the ZL2BMI transceiver built by a ham in the Czech Republic, but looking at his schematic, saw that he left out these 2 decoupling capacitors. There was a 0.1uF coupling cap from the output of the NE602 to the input of the LM386 and that was it. I thought that perhaps he was onto something, so I also left out these 2 caps. Well, they are quite important. The 3 capacitors between them form a kind of simple diplexer – as far as I can tell from my limited knowledge. With just the coupling cap, I was hearing stations, but was also hearing breakthrough from nearby strong in-band signals. Adding the 0.1uF from the output of the NE602 to ground cut out the breakthrough as well as cutting down on some of the higher-frequencies in the audio. Adding the second 0.1uF cap from the input of the LM386 to ground helped shape the audio a bit more and cut down on some more of the higher frequencies, making the receiver more pleasant to listen to for long periods.

I shouldn’t admit this in public, but my first thought on seeing the 3-capacitor network that connects the two chips was “How can a 0.1uF cap bypass RF to ground, when the same value is also coupling audio to the input of the next circuit? If the 0.1uF coupling cap passes audio to the next stage, why doesn’t the 0.1uF bypass cap short all the audio to ground?”

After a bit of thinking, I realized that the capacitors form RC filters with the circuit impedances which determine which frequencies they pass and which they don’t. Imagine you’re an audio signal coming out of the NE602 and heading towards the coupling cap for the input of the LM386. You are going to see that 0.1uF capacitance as well as the input impedance of the LM386, which is about 10K. The 3dB cut-off frequency of this high-pass filter is given by:

But what about those 0.1uF caps to ground? Well, they also form high-pass filters, and the impedance in this case is the impedance of the connection to ground which, if the capacitor is connected properly to the ground plane, should be very low. Therefore, the cut-off frequency of this simple filter is much higher. Audio frequencies are blocked and subsequently passed on to the LM386 AF amp, while RF is bypassed to ground.

While pondering the really nice-looking ZL2BMI rig that had been built by the the Czech ham, I decided to do some testing of my own.  Maybe he had a reason for leaving out those 2 coupling caps?  I decided to replicate this in my circuit and found very quickly that without at least one of those 2 bypass caps, the circuit experiences breakthrough from strong stations on nearby frequencies.  I made a recording with and without one of the bypass caps, and here are the results:

If I were going to build this as a simple little receiver to listen to the ragchewing and general chat on 75 and 80M, instead of using a ceramic resonator, I would use a varactor-tuned free-running VFO as with my Hi-Per-Mite DC RX so that I could cover a wider portion of the band. I’d also use a double-tuned bandpass filter for the antenna input and include an RF attenuation pot as well as possible an AF gain pot.

Naturally, these simple receivers have their limitations, and it doesn’t stop me from dreaming about owning a Ten-Tec RX-340, but I get a real kick out of receiving good-sounding signals from a handful of parts.

February 13, 2012

A Free Download in Celebration Of World Radio Day

Today (Feb 13th) is World Radio Day and I noticed from The SWL Post that Myke over at The Shortwave Music Blog is offering a one-day only free download of a musical project that was compiled for release as a 5 CD box set in 2011. Titled “The Clouds Should Know Me By Now: ShortWaveMusic 2005-2010″, the set wasn’t released but for one day only, you can download all these tracks of indigenous music from around the world as heard on shortwave radio.  With the continuing decline of international shortwave broadcasting, this is a treasure trove.  Note that if you’re looking for station ID’s, this is not the download for you. If you’re a fan of international music, especially as recorded off-air, this will be right up your street.

The page with the download link is here. If you’re interested, download it now, as it may not be up after Feb 13th.

Thank-you to The SWLing Post for the tip-off!

EDIT:  The link has already been de-activated. It was a very short window of opportunity.

September 12, 2011

Is Internet Radio “Real” Radio? (Alternate Post Title: My New “Shortwave” Radio)

Filed under: Broadcast Radio — AA7EE @ 7:38 pm
Tags: , ,

Every now and again, I post about something a little off-topic from the subject of amateur radio, though still related to the topic of radio, so please excuse me if the following is not of much interest to you.

A couple of weeks ago, acting on a tip from an old friend and colleague from my days in broadcast radio, I bought an internet radio.  Best Buy were (and at time of writing, still are) offering the Tangent Quattro Internet Radio at a clearance price of $99.99. From time to time I listen to the streams of terrestrial broadcast stations but, as weird as it sounds, listening to them on a computer just doesn’t feel like “real radio”. I’ve been wanting a stand-alone device to listen to online streams for a while now.

I’m reminded of the debate that raged among hobbyists when digital photography was still new. Some claimed that digital photography wasn’t “real” photography because the images weren’t captured on film and printed on papers with silver-based emulsions. I didn’t get that argument at all because it was the message (i.e. the image) rather than the medium that was more important to me, and digital just seemed like a much more capable medium to act as a carrier for the message. Similarly, although I do have an attachment to the medium of radio, I’ve come to realize that over 50% of my enjoyment of shortwave broadcast listening was for the actual content – and there is plenty of easily accessible content on this internet radio.

Apologies for the lack of a more set-up shot, but I didn’t want to stop listening.  The little black box on top of the radio is my flash recorder that plugs into the line out on the radio for recording programs, and unrelated (though very topical) you can see the various connectors from the CC-20 transceiver beta board poking out to the left. The telescopic whip sticking up at the back is for reception of local FM stations if you want to use the built-in FM tuner:

The sound is really good, thanks in part to the bass port on the back of the radio:

The shortwave broadcast bands have not been what they were for quite a few years now, and many international shortwave broadcasters continue to scale down and cease their operations altogether – particularly transmissions to the developed world. Unless you like listening to endless religious broadcasts, the pickings here on the West Coast are pretty slim. In sharp contrast, I have 15,349 stations immediately available on this internet radio to choose from – and that doesn’t include the fact that if a station isn’t included in the list on my receiver, I can add it as a separate stream. Oh – and it does podcasts too – I already have Soldersmoke programmed in. I remember when I was a much more active SWL being able to listen to the foreign services of many countries on the shortwave bands, but wondering what their domestic broadcasts sounded like. Now I wonder no more because not only can I listen to the foreign services of stations like Radio Tirana, Albania and Deutsche Welle, there are even more domestic broadcast stations to choose from. Even the low bit-rate streams from less developed countries give more consistent and better quality reception than the shortwave bands ever have.

Of course, all these streams are available to listen to on a computer, but the convenience of a dedicated stand-alone box to listen to them makes the process of “tuning in” a whole lot simpler.  In the morning I hit the power button and after the internet radio has logged onto my WiFi network and buffered enough audio, it automatically begins streaming from whatever station I was listening to last – just like a regular radio. Sure it takes a minute or two to fire up, but so did vacuum tube radios in the old days :-)

I’ve found stations with fabulous music from Senegal, Mali and Algeria, to name just a few. There is a News/Talk station in Jamaica that is very entertaining, as I have never heard serious social issues discussed in heavy Jamaican patois, interspersed with reggae songs and streamed with the production quality of many great reggae songs recorded in Kingston in the ’60′s. That is to say, the audio is poor quality but somehow, it adds to the aesthetic of that particular station. I own a number of good music compilation CD’s from Radio Nova in Paris, France and have finally been able to listen to the station (it’s quite good and plays an interesting musical mix).

Best of all though, I’ve been listening to a lot of BBC Radio. From the news and current affairs of BBC Radio 4, to the comedy and drama of BBC Radio 4 Extra, to the musical shows of BBC Radio 6, it’s a reassuring reminder that first-rate broadcast radio is not dead. Anyone who listens exclusively to the commercial stations on the AM and FM bands in the US could be forgiven for having given up on broadcast radio. In my humble opinion, the medium of radio is just too good to trust to commercial forces alone. When you place broadcast radio in the hands of people who just want to use it to make money, you end up with stations that broadcast to the lowest common denominator. Whether it’s talk designed to infuriate listeners and increase ratings rather than inform and educate, or music stations that play the same tired small list of songs out of fear that they might play something different and interesting that would cause listeners to tune out, the end result is mass mediocrity.

Thanks to Randy K7AGE, for letting me know that just after I bought my internet radio from Best Buy, that they lowered the price for a few days to $79.99.  I called them up and was able to have the price difference refunded to me.

Is internet radio real radio? In my opinion, the answer to that is yes.

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